Episode 568. The Shakespeare Institute

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[vc_row full_width=”stretch_row” content_placement=”top” equal_height=”yes” parallax=”content-moving-fade” slider_images=”12004″ slider_animation=”fadeZoom” overlay_color=”rgba(0,0,0,0.2)” css=”.vc_custom_1512315432253{background-position: center;background-repeat: no-repeat;background-size: contain !important;}” anchor_link=”top”][vc_column width=”2/3″ offset=”vc_col-lg-offset-2″][rowshape type=”rowshape_4″ position=”bottom” height=”30″ color=”#2b272c”][rowshape type=”rowshape_4″ position=”bottom” height=”50″ color=”rgba(166,115,81,0.6)”][/vc_column][/vc_row][vc_row full_width=”stretch_row” anchor_link=”intro” css=”.vc_custom_1451644722488{padding-top: 60px !important;padding-bottom: 100px !important;}”][vc_column][vc_empty_space height=”15px”][vc_column_text]Director of the Shakespeare Institute Michael Dobson talks about the history and current work of the Institute, and reveals the genius (and truth) of location location location; how he ensures Shakespeare academics also experience and practice Shakespeare in performance; the decision to delve; a fascination with Shakespeare in languages other than English; the process of applying to the Institute; new Arden editions; advice from both Sir Stanley Wells and Dr. Peter Holland; and finally, the secrets of where to get the best actors to portray a revolting mob. (Length 23:08)[/vc_column_text][/vc_column][/vc_row]