Episode 513. Writing Crime Novels

Published by austin on

[vc_row full_width=”stretch_row” content_placement=”top” equal_height=”yes” parallax=”content-moving-fade” slider_images=”12004″ slider_animation=”fadeZoom” overlay_color=”rgba(0,0,0,0.2)” css=”.vc_custom_1512315432253{background-position: center;background-repeat: no-repeat;background-size: contain !important;}” anchor_link=”top”][vc_column width=”2/3″ offset=”vc_col-lg-offset-2″][rowshape type=”rowshape_4″ position=”bottom” height=”30″ color=”#2b272c”][rowshape type=”rowshape_4″ position=”bottom” height=”50″ color=”rgba(166,115,81,0.6)”][/vc_column][/vc_row][vc_row full_width=”stretch_row” anchor_link=”intro” css=”.vc_custom_1451644722488{padding-top: 60px !important;padding-bottom: 100px !important;}”][vc_column][vc_empty_space height=”15px”][vc_column_text]”8004488_origNovelist Russel McLean (right) talks about his new novel And When I Die and reveals both surprising influences and his fascination with extended families with dark secrets. Featuring Glasgow’s answer to the Corleones, shifting perspectives, early submission problems, the similarities between crime novelists and a certain criminal mastermind, and the identity of arguably the greatest crime writer ever! (Hint: It’s not who you think!) (Unless it’s Shakespeare, in which case it’s exactly who you think.) It’s a finale of fun! (Length 23:09)[/vc_column_text][/vc_column][/vc_row]