Episode 340. Directing A Comedy

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[vc_row full_width=”stretch_row” content_placement=”top” equal_height=”yes” parallax=”content-moving-fade” slider_images=”12004″ slider_animation=”fadeZoom” overlay_color=”rgba(0,0,0,0.2)” css=”.vc_custom_1512315432253{background-position: center;background-repeat: no-repeat;background-size: contain !important;}” anchor_link=”top”][vc_column width=”2/3″ offset=”vc_col-lg-offset-2″][rowshape type=”rowshape_4″ position=”bottom” height=”30″ color=”#2b272c”][rowshape type=”rowshape_4″ position=”bottom” height=”50″ color=”rgba(166,115,81,0.6)”][/vc_column][/vc_row][vc_row full_width=”stretch_row” anchor_link=”intro” css=”.vc_custom_1451644722488{padding-top: 60px !important;padding-bottom: 100px !important;}”][vc_column][vc_empty_space height=”15px”][vc_column_text]”William_Brown-5317We share thoughts about comedy with director William Brown, who talks about his Writers’ Theatre production of David Ives’ The Liar which is earning rave reviews this month in Chicago. Featuring the joys of being at the epicenter of the action, the advantages of actor investment, the truth about technique, the differences between Moliere and Corneille, jokey distinctions between actors from different cities, the tricks of casting, a special appearance by Olivier Award-winner Tim Minchin, an appreciation of the American Conservatory Theatre training program, excerpts from the BBC World Service production of the Reduced Shakespeare Radio Show, and the most underrated aspect of Chicago’s theatrical history. (UPDATE: Bill won the 2013 Joseph Jefferson Award for outstanding direction of a play for this work on The Liar.) (Length 20:00)[/vc_column_text][/vc_column][/vc_row]