Episode 153. The Red Role

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[vc_row full_width=”stretch_row” content_placement=”top” equal_height=”yes” parallax=”content-moving-fade” slider_images=”12004″ slider_animation=”fadeZoom” overlay_color=”rgba(0,0,0,0.2)” css=”.vc_custom_1512315432253{background-position: center;background-repeat: no-repeat;background-size: contain !important;}” anchor_link=”top”][vc_column width=”2/3″ offset=”vc_col-lg-offset-2″][rowshape type=”rowshape_4″ position=”bottom” height=”30″ color=”#2b272c”][rowshape type=”rowshape_4″ position=”bottom” height=”50″ color=”rgba(166,115,81,0.6)”][/vc_column][/vc_row][vc_row full_width=”stretch_row” anchor_link=”intro” css=”.vc_custom_1451644722488{padding-top: 60px !important;padding-bottom: 100px !important;}”][vc_column][vc_empty_space height=”15px”][vc_column_text]”Romeo. Polonius. Feral Orwell. Spade Diamond. Abraham. Easter Bunny. Coach. The RSC characters created by Daniel Singer and Reed Martin are known as the Red Role (after the color of his tights for so many years), and cast member Mick Orfe talks about how he interprets this archetype across five RSC shows. Featuring hints on how “the Enforcer” interacts with “the Professor” and “the ManChild”, what a vehicle needs most, the advantages of typecasting, and how to access your “inner Moe”. (MP3. Length 22:58)[/vc_column_text][/vc_column][/vc_row]